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Anna and the King of Siam by Margaret Langdon
Baby Angels by Jane Cowen-Fletcher
Barometer Rising by Hugh MacLennan
Behaving Like Adults by Anna Maxted
Brown Bear, Brown Bear, What Do You See? by Bill Martin Jr. and Eric Carle
Damia by Anne McCaffrey
Dinosaur Roar! by Paul & Henrietta Stickland
Dinosaurs' Halloween by Liza Donnelly
The Dragon in Lyonesse by Gordon R. Dickson
Ducks in Muck by Lori Haskins
The Earth by Émile Zola
Game of Shadows by Mark Fainaru-Wada and Lance Williams
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Geology by Frank Rhodes
Get Off the Unicorn by Anne McCaffrey
The Girl in the Flammable Skirt by Aimee Bender
The Growing Pains of Adrian Mole by Sue Townsend
Kings of Albion by Julian Rathbone
The Langoliers by Stephen King
The Library Policeman by Stephen King
Lost and Found by Eliabeth Hess
Lying Awake by Mark Salzman
A Man in a Kilt by Sandy Blair
Morgan's Passing by Anne Tyler
The Player by Michael Tolkin
Secret Window, Secret Garden by Stephen King
Sunday's Child by Edward O. Phillips
A Toad for Tuesday by Russell E. Erickson
Trucks by Byron Barton
(Un)Arranged Marriage by Bali Rai
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Sunday's Child: 03/11/07

Sunday's Child

Sunday's Child appealed to me for the problem of disposing of a body (sort of like the Panama canal in Arsenic and Old Lace) but the book disappointed. The disposal of the body is almost secondary to the rest of the book which seems to be a never ending monologue from the protagonist. If only his thoughts on life and love were more interesting!

For the first few chapters, hearing Geoffrey Chadwick's thoughts on being gay and how different generations of men act differently to being gay. By the time the book starts to include flashbacks to Chadwick's wife and daughter which are supposed to poignant and tragic I just didn't care any more. Chadwick can't complete a simple task without waxing on about some sort of flashback or some sort of theory of sex for a minimum of five pages.

Character development is important to well told story but in a thriller, there has to be some plot too. Sunday's Child is unfortunately off balance with too much emphasis on character at the expense of the plot. Take out all the monologue and the book might count as a novella.

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