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All-of-a-Kind Family Uptown by Sydney Taylor
Bleach Volume 10 by Tite Kubo
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Burnt Bread and Chutney by Carmit Delman
Chitty Chitty Bang Bang by Ian Flemming
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Daisy Says Coo by Jane Simmons
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First Editions by James Stoddard
Five Little Ducks by Dan Yaccarino
Five Thrillers by Robert Reed
The Fountain of Neptune by Kate Wilhelm
The 400-Million-Year Itch by Steven Utley
Grace's Letter to Lincoln by Peter and Connie Roop
Gregory III by Marc Hempel
The Gulls of the Edmund Fitzgerald by Tres Seymour
The Heart of the Matter by Graham Greene
The House on the Strand by Daphne du Maurier
How Do You Go the Bathroom in Space by William R. Pogue
Immortal Snake by Rachel Pollack
In an Instant by Lee and Bob Woodruff
It's Spring by Samantha Berger and Pamela Chanko
Jenny Archer to the Rescue by Ellen Conford
Junie B. Jones and the Stupid Smelly Bus by Barbara Park
Kidnapped by Robert Louis Stevenson
The Lion's Own Story by Crockett Johnson
London Orbital by Iain Sinclair
My Ántonia by Willa Cather
The Nocturnal Adventure of Dr. O and Mr. D by Tim Sullivan
Oh Boy, Boston! by Patricia Reilly Giff
The Other Log of Phileas Fogg by Philip José Farmer
Rebecca's Locket by S. L. Gilbow
Render Unto Caesar by Kevin N. Haw
Reunion by Robert Reed
Snakes by Adrienne Mason
Tales of Oliver Pig by Jean Van Leeuwen and Arnold Lobel
Test-Drive Your Dream Job by Brian Kurth
There's No Such Place as Far Away by Richard Bach
A Traveller in Time by Alison Uttley
The Unspeakable by Charles L. Calia
The Willowdale Handcar by Edward Gorey
Who Stole the Wizard of Oz? by Avi
Z for Zachariah by Robert C. O'Brien


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The House on the Strand: 04/28/08

The House on the Strand

Daphne du Maurier wrote great beginnings and great endings but sometimes she got lost in the middle as she did with The House on the Strand. This novel comes late in her writing career in 1969, just before her collection of short stories, Don't Look Now.

Coming on the heels of A Traveller in Time I couldn't help but see similarities between the two books. Here, though, the reason is science, not magic. Biophysicist Magnus Lane has created a serum that when ingested allows one to experience the past. He convinces the narrator, Dick Young, to be his guinea pig although he does partake of the serum too from time to time.

At at time when LSD was part of the pop culture scene, it's easy to draw connections between the drug and the time travel formula that Dick and Magnus take. Just as LSD can cause flashbacks, Dick ultimately learns the true negative effects of the serum, first in the tragic death of his mentor and then in his own physical condition.

Frankly though, I found Dick's trips back to the 14th century rather dull. What kept me reading was not the fates of Roger and Isolda but the tension between Dick's attraction to Magnus and his duties to his American wife and her children from a previous marriage. Like in My Cousin Rachel (1951) there is a strong homosexual subtext that is ever present but rarely acknowledged, certainly not the with frankness of the stories in Don't Look Now.

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