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Archibald's Swiss Cheese Mountain by Sylvia Lieberman
Arkfall by Carolyn Ives Gilman
The Blunder by Joe Kilgore
A Bell for Adano by John Hersey
The Bridge of San Luis Rey by Thornton Wilder
The Chinese Orange Mystery by Ellery Queen
The Copenhagen Connection by Elizabeth Peters
Eat, Drink and Be Married by Eve Makis
Forty Days by Jill Smolinski
Four Seasons in Five Senses by David Mas Masumoto
The Going to Bed Book by Sandra Boynton
Hello Piglet! by Muff Singer
Idaho Snapshots by Rick Just
Inside Story by Albert E. Cowdrey
Just Visiting by Nancy Sparling
King, Queen, Knave by Vladimir Nabokov
King of the World by David Remnick
The Last Plague by Glen E. Page
Lifeguard by James Patterson and Andrew Gross
Marvin K. Mooney Will Please Go! by Dr. Seuss
The Mental Environment by Bob Gebelein
Moscow Rules by Daniel Silva
Night Train to Memphis by Elizabeth Peters
Nine Whispered Opinions Regarding the Alaskan Secession by George Guthridge
Peachblossom by Eleanor Frances Lattimore
Picnic at Pentecost by Rand B. Lee
Ookpik by Bruce Hiscock
Quondam by Jayel Gibson
Run! Run! by John Aikin
Salad for Two by Robert Reed
Search Continues for Eldery Man by Laura Kasischke
Shed That Guilt! Double Your Productivity by Michael Swanwick and Eileen Gunn
Small Worlds by Gretchen Laskas
Templeton Turtle Goes Exploring by Ron Pridmore
The Twenty Dollar Bill by Elmore Hammes
The Uncertainty Principle by Lynda Curnyn

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Lifeguard: 09/14/08

Lifeguard is a collaboration with James Patterson and Andrew Gross. It's a fast paced thriller that takes place in Boston and Miami and centers around a string of murders and some missing artwork.

Ned Kelly, a part-time lifeguard agrees to help his friends pull of an art heist. His job is simple: create a distraction by setting of a number of house alarms while the real heist goes down. Ned though ends up the number one suspect in a string of gruesome murders when his friends are executed. Can he convince the FBI that he's innocent?

Lifeguard works on the premise that the main character is a lucky idiot. He makes a number of boneheaded moves that only end up working because he has good karma. He also has the support of FBI agent Ellie Shurtleff who specializes in art theft. She puts her career on the line to prove Ned Kelly's innocence.

The book is told from a number of points of view. Most of them are presented in third person except for Ned Kelly's. He tells his part of the story in first person. I found the sudden shift in point of view distracting, although I did eventually get used to it.

Comments (6)


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Comment #1: Monday, September, 15, 2008 at 09:54:53

Grandy

I'm a big Patterson fan. I will have to check this out.

Thanks for pointing me in the direction.



Comment #2: Monday, September 15, 2008 at 12:36:35

Pussreboots:

You're welcome. I'm still a newbie when it comes to Patterson's work, having only read two of his novels.



Comment #3: Monday, September, 15, 2008 at 13:30:15

Breeni Books

Sending some much deserved recognition your way...



Comment #4: Monday, September 15, 2008 at 12:38:51

Pussreboots:

Thank you!



Comment #5: Monday, September, 15, 2008 at 15:28:06

Shelley Munro

I used to read a lot of James Patterson but haven't read him for a while. Actually, are there any male writers you'd recommend who write fairly sparsely (i.e. in their use of words)? Someone recommended I read a few to help to learn how to pare down my writing.



Comment #6: Monday, September 15, 2008 at 12:39:00

Pussreboots:

The king of sparse writing is Ernest Hemingway. He believed in small words and short sentences. If you like science fiction / fantasy, I'd also recommend Roger Zelazny. He has a great Halloween book called "Night of the Lonesome October" that doesn't waste any words. Along those lines, there's also Ray Bradbury. His "Halloween Tree" is another good book for this time of year and a fine example of sparse writing.

Hope this helps.



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