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All These Things I've Done by Gabrielle Zevin
The Arctic Marauder by Jacques Tardi
Babymouse: Monster Mash by Jennifer L. Holm and Matthew Holm
Born to Rule by Kathryn Lasky
Broken for You by Stephanie Kallos
City Dog, Country Frog by Mo Willems
The Conductor by Laëtitia Devernay
Fullmetal Alchemist 21 by Hiromu Arakawa
Fullmetal Alchemist 22 by Hiromu Arakawa
Fullmetal Alchemist 23 by Hiromu Arakawa
Funny How Things Change by Melissa Wyatt
Geektastic edited by Holly Black
Helen of Pasadena by Lian Dolan
The High Skies Adventures of Blue Jay the Pirate by Scott Nash
The Hole in the Wall by Lisa Rowe Fraustino
Images of Nature: The Photographs of Thomas D. Mangelsen by Charles Craighead
Just Like Bossy Bear by David Horvath
The Library by Sarah Stewart
The Lost Art of Reading by David L. Ulin
NERDS: National Espionage, Rescue, and Defense Society by Michael Buckley
Oh. My. Gods. by Tera Lynn Childs
Once in a Lifetime by Cathy Kelly
Page by Paige by Laura Lee Gulledge
The Pencil by Allan Ahlberg
Punished! by David Lubar
Seeds of Change by Jen Cullerton Johnson
Sticky Burr: Adventures in Burrwood Forest by John Lechner
Tsubasa Reservoir Chronicle 06 by CLAMP
When Jessie Came Across the Sea by Amy Hest
The Wolves of Willoughby Chase by Joan Aiken
xxxHolic Volume 12 by CLAMP

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Rating System

5 stars: Completely enjoyable or compelling
4 stars: Good but flawed
3 stars: Average
2 stars: OK
1 star: Did not finish

Reading Challenges

My Kind of Mystery Reading Challenge 2017 February - January 2017-8



Comments for The Lost Art of Reading

The Lost Art of Reading: 01/06/14

cover artThe Lost Art of Reading by David L. Ulin was originally published as an essay in The Los Angeles Times. It is offered up as an examination of the importance of reading in a day and age of electronic distractions.

The book starts off simply enough — Ulin is a concerned father, worried that his son isn't enjoying The Great Gatsby. Then it completely falls apart. It becomes more of a diatribe and a pat on the back than an essay on managing reading.

Here's the thing — not every reader likes The Great Gatsby. Yes, it's the most compact example of Fitzgerald's writing — containing the distilled themes and motifs that he had been developing throughout his writing career. But without knowing the body of his work, Gatsby can be a strange, off-putting book.

BUT even knowing Fitzgerald doesn't automatically make The Great Gatsby a beloved book. Nor does NOT liking Gatsby make the reader a failure at reading! For anyone to feel disappointment, frustration or concern over another person's lack of interest in personal favorites is shameful. Reading is a very personal experience. Not all books work for all people.

1 star

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