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Are We There Yet? by Nina Laden
Are We There Yet? by Dan Santat
Cats on Track by Lisa Martin and Valerie Martin
The Easter Bunny's Assistant by Jan Thomas
Egg by Kevin Henkes
Fish Girl by Donna Jo Napoli and David Wiesner
The Ghost of Graylock by Dan Poblocki
The Great American Dust Bowl by Don Brown
The Hammer of Thor by Rick Riordan
The Hudson by Carl Lamson Carmer
Kitchener Waterloo: A Guidebook from Memory edited by Robert Motum
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My Pet Human by Yasmine Surovec
My Pet Human Takes Center Stage by Yasmine Surovec
Over Easy by Mimi Pond
Play It as It Lays by Joan Didion
The Readaholics and the Gothic Gala by Laura DiSilverio
The 65-Storey Treehouse by Andy Griffiths and Terry Denton
Smoky Night by Eve Bunting
Solving the Puzzle Under the Sea by Robert Burleigh
Star Scouts by Mike Lawrence
Stop the Train! by Geraldine McCaughrean
Strangers on a Train by Carolyn Keene
The Thing About Jellyfish by Ali Benjamin
This Is What Happy Looks Like by Jennifer E. Smith
Thrice the Brinded Cat Hath Mew'd by Alan Bradley
Traveling Light by Lynne Branard
The Truth About Twinkie Pie by Kat Yeh
Vampires on the Run by C.M. Surrisi
XVI by Julia Karr

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It's Monday! What Are You Reading? (April 3)
It's Monday! What Are You Reading? (April 10)
It's Monday! What Are You Reading? (April 17)
It's Monday! What Are You Reading? (April 24)
March 2017 Inclusive Reading Report
March 2017 ROOB and News
What's your earliest memory of reading?

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Are We There Yet by Nina Laden: 04/23/17

Are We There Yet by Nina Laden

Are We There Yet? by Nina Laden is one of two road trip picture books with this title published in 2016. It like the Dan Santat book is about a trip to a grandmother's house. Neither trip is a straightforward point A to point B journey.

From the cover, it's implied that this trip will involve some outer space hijinks. What I wasn't expecting was another foray into the cornfield. So far I've looked at the cornfield as a barrier — to keep towns in, to hide the entrance to another world (Oz, the underworld, etc), and to imprison or banish people. Laden's book, though, suggests, too, a connection between the road narrative and the Minotaur — a maize maze, if you will.

Before the text even begins, this connection is highlighted through the endpapers. They show a labyrinth of two lane roads as seen from the aerial point of view of a green parrot. On the far right, there's a small red car — the one that the main characters are taking their road trip in (as seen from the cover).

The next clue is a mural in the city as they hit the open road. It shows an ear of corn above the words "Minotaur Maize" with a bull's head in profile below. What if characters like Anthony ("It's a Good Life"), Ozma, and the kidnapper in Bone Gap are different forms of the Minotaur?

Later as they pass through a rural, farmlands area, there is a farm with a Minotaur farmer working on his crop — a labyrinth of brightly colored flowers. By now it is clear that this family is traveling through a labyrinth, and run the risk of being lost if they don't stick to their intended route.

Five stars

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