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Month in review

Reviews
All Four Stars by Tara Dairman
The Amazing Crafty Cat by Charise Mericle Harper
The Best Man by Richard Peck
Big Mushy Happy Lump by Sarah Andersen
Bloom by Doreen Cronin
Candor by Pam Bachorz
The Candymakers and the Great Chocolate Chase by Wendy Mass
The Children of the King by Sonya Hartnett
The Dervish House by Ian McDonald
Dragon's Green by Scarlett Thomas
In the Hand of the Goddess by Tamora Pierce
Iron Ties by Ann Parker
The Lens by N.K. Guy
The Magic Cornfield by Nancy Willard
Merman in My Tub, Volume 1 by Itokichi
Miss Hazeltine's Home for Shy and Fearful Cats by Alicia Potter
Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
Mosquitoland by David Arnold
On the Trail to Sunset by Thomas William Wilby and Agnes Anderson Wilby
One Witch at a Time by Stacy DeKeyser
The Only Road by Alexandra Diaz
The Princess and the Pony by Kate Beaton
Showing Off by Sarah Mlynowski, Lauren Myracle, and Emily Jenkins
Storm by Amanda Sun
They Came in from the Road by Marjorie Starbuck and Elizabeth Platko
Vinegar Girl by Anne Tyler
Who Is AC? by Hope Larson

Miscellaneous
Books with Strong Families
Collaboration
Half year round-up - Favorite books read in 2017
It's Monday! What Are You Reading? (June 05)
It's Monday! What Are You Reading? (June 12)
It's Monday! What Are You Reading? (June 19)
It's Monday! What Are You Reading? (June 26)
May 2017 Inclusive Reading Report
Read Our Own Books May 2017

Thirty years of tracking my reading
What do readers want?

Previous month

Rating System

5 stars: Completely enjoyable or compelling
4 stars: Good but flawed
3 stars: Average
2 stars: OK
1 star: Did not finish

Reading Challenges

My Kind of Mystery Reading Challenge 2017 February - January 2017-8



What do readers want?: 06/01/17

Armchair BEA logo with the current Voltron Force from the Voltron Legendary Defender comic, volume 1

1. A gorgeous and plot relevant cover. It shouldn't spoil the plot but it should show an understanding of the story and better, enhance it some way.

The cover for Traveling Light Lynne Branard (2017) gets so close to being the perfect cover and then drops the ball with one key detail, the car. Her car which is practically its own character in this road trip novel is a "cherry red, 1998 VW" not a 1960s-1970s sky blue, air cooled VW.

Traveling light

2. A catchy and easy to remember title. For instance, Adulthood is a Myth, the first of the Sarah Scribble's books, is easy to remember and funny. Her follow up book from this year, Big Mushy Happy Lump is hard for me to remember. I usually end up having to go to my iPhone to verify the title of the book.

3. A well crafted book. If it's a print book, it should be well constructed and beautifully designed — even paperbacks should have good construction, good design. An ebook should be a well coded epub. If it's a graphic novel, the images should be high enough resolution to zoom in on a phone or tablet. An audiobook should have an engaging narrator who can take on the different characters and tones without sounding out of breath or bored.

4. Representation without stereotypes. Tropes without cliches. Basically I want a book that doesn't take the easy road. I want a book populated with people who are relatable but push my boundaries, enhance my understanding of the human condition — even if I'm reading fluff.

5. Illustrations. Books used to be illustrated. Let's bring that back, even for the adult fiction.

Comments (22)


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Comment #1: Thursday, June 01, 2017 at 10:22:54

Terri @ Alexia's Books and Such

Never thought about the cover but you're right about the need for it to reflect the story in some way. Had to laugh at them getting the color of the VW Bug wrong! Sort of like having a tall, willowy blonde on the cover when the main character is a short, dumpy brunette!

And yes about a well-crafted book! I've had to stop reading several ebooks that weren't properly formatted and it's beyond annoying.

Great post!



Comment #2: Thursday, June 01, 2017 at 15:49:00

Pussreboots

Right? I'd rather have a plain cover with just text than have an image that is fundamentally wrong given the contents of the book.



Comment #3: Thursday, June 01, 2017 at 11:30:02

Steph

OMG- this "A gorgeous and plot relevant cover." YES! how hard is it to make the car the right color? Sometimes this kills me inside :/



Comment #4: Thursday, June 01, 2017 at 15:52:00

Pussreboots

The really annoying thing about that example is I had bought the book because of the cover — and I would have still purchased it if I had featured a modern red VW.



Comment #5: Thursday, June, 01, 2017 at 12:29:09

Monica

Yes to #4! That is so important to me, no matter what I'm reading.



Comment #6: Thursday, June 01, 2017 at 15:55:00

Pussreboots

Representation is what I've been focusing on most in this year's reading.



Comment #7: Thursday, June 01, 2017 at 13:38:17

Erica

Oh I would LOVE to see more illustration in books! Even if it's just on the chapter headers.



Comment #8: Thursday, June 01, 2017 at 15:56:00

Pussreboots

Oh, yes — illustrations above chapter headers are such a nice detail.



Comment #9: Thursday, June 01, 2017 at 16:44:29

Donna

I once read a book with a blonde on the cover but the character was clearly a brunette, it being a point in the story. I made a comment about it and the author responded that she didn't have any control over the cover. You can read more about what I want and ways I collaborate



Comment #10: Thursday, June 01, 2017 at 15:58:00

Pussreboots

With the big publishing houses, especially if they're a relatively new author, they won't have any control over the book design. I put the burden of the book design elements on the publishing house.



Comment #11: Friday, June 02, 2017 at 02:36:46

Gabriella M

I agree. And I especially think a relevant cover is important. Happy ABEA!



Comment #12: Friday, June 02, 2017 at 15:53:00

Pussreboots

I'd rather have a text only cover than a cover with imagery that has nothing to do with the story.



Comment #13: Thursday, June 01, 2017 at 22:15:58

Alicia @ A Kernel of Nonsense

I love those covers that you don't necessarily see the significance of until after you've finished a book. It's always a neat little surprise.



Comment #14: Friday, June 02, 2017 at 15:55:00

Pussreboots

Those are the best kind of cover. The ones where you're nearly done with the book and then realize its significance.



Comment #15: Thursday, June 01, 2017 at 23:09:17

Mollys Cafinated Reads

I really agree with your choices! Thanks for sharing them.

Armchair BEA Cafinated Reads Day 2



Comment #16: Friday, June 02, 2017 at 15:57:00

Pussreboots

You're welcome. Thanks for stopping by.



Comment #17: Thursday, June 01, 2017 at 23:11:29

Rissi

"1. A gorgeous and plot relevant cover. It shouldn't spoil the plot but it should show an understanding of the story and better, enhance it some way."

Agreed!

I also love unique character names. It makes them stick in my mind even when they aren't my favorite characters - like Katniss Everdeen.

Thanks so much for visiting Finding Wonderland. :)



Comment #18: Friday, June 02, 2017 at 15:58:00

Pussreboots

I'm just the opposite. A lot of times I have trouble remembering the unique names. There's nothing familiar there to remember it by.



Comment #19: Saturday, June 03, 2017 at 21:01:27

Lisa Mandina (Lisa Loves Literature)

I am completely with you on the cover thing! I hate when a cover makes me think a book is one type, and then it turns out to be nothing like that. I also agree with the audiobook narrator thing. A voice can totally blow a book for me, to the point that sometimes I won't even try to pick up the print book and read it. Great post! Thanks for visiting my ABEA post earlier!



Comment #20: Saturday, June 03, 2017 at 19:22:00

Pussreboots

You're welcome for the visit. I'm like you with the narrator thing. A bad narrator can put me off the entire series, even in print.



Comment #21: Saturday, June 03, 2017 at 21:35:31

Darlene

You are totally right about #1!! I am surprised at how many times I've found a cover to be misleading or completely inaccurate to the story. It's almost like there was no communication between the illustrator/photographer and publisher/author! I actually talked about that in a recent review, where the artwork was completely off.



Comment #22: Saturday, June 03, 2017 at 19:22:00

Pussreboots

It wouldn't surprise me if there was a lack of communication. Think about how many books are released each week. I can imagine that publishers feel like they can't be careful with each over — especially the ones that won't be big sellers. But I wish they were more careful.