Pierre the Maze Detective: The Search for the Stolen Maze Stone: 01/19/18
Pierre the Maze Detective: The Search for the Stolen Maze Stone by Hiro Kamigaki is an I-spy and Where's Waldo type children's puzzle book. Originally published in Japan as 迷路探偵ピエール ～うばわれた秘宝を探せ! (Meiro tantei piēru ~ ubawa reta hihō o sagase!), the book features 15 full spread pages for searching and solving.
At first glance, the book is a simple find the characters type book. Where is Pierre? Where is the thief? Were are the people he's stolen from? And so forth. As one grows familiar with the pages and the typical hiding places for people and things, other recurring details appear: start and finish signs.
Each page is, in fact, a maze. The mazes increase in difficulty, from the first one — being a simple, straightforward path through a garage, to a gorgeous one through a sky filled with hot air balloons.
I read this book as I was chasing down some tangential ideas for my crossing the cornfield research for the road narrative project. Nina Laden's Are We There Yet? had confirmed my hunch that there could be a connection between the cornfield and the Minotaur. While looking for other books that brought these two elements together, my search brought up Kamigaki's book.
Though this book does include a city wide — world-wide maze, these mazes serve no plot purpose. These mazes are for the reader only. And that's fine. It's a beautifully crafted book; it's just not relevant to my project.
Locke & Key, Volume 2: Head Games: 01/18/18
Locke & Key, Volume 2: Head Games by Joe Hill focuses on the head key. It can open up one's mind and allow someone else to remove memories and emotions.
Bode's head is full monstrous representations of people he's met. He takes delight in pulling different things out to see what they are. He also wants to share his discovery with his family.
The reaction to the head key is wide and varied from utter disgust to utter fascination. Their reactions reveal character. There's the older brother who wants to literally cram for school by putting entire books into his head. There's the sister who wants to remove her fear so she can stop reliving the nightmarish violence that happened to her family.
Meanwhile, there's more history tied up with the well. The threat is lingering, biding its time, waiting for the chance to strike. But the two plots: the stuff in the house and the stuff outside still feel pretty disjointed. Hopefully things come together in later volumes.
Not the Killing Type: 01/17/18
Not the Killing Type by Lorna Barrett is the seventh in the Booktown mysteries. It's November and time for the Chamber of Commerce elections. Tricia's onboard to help her sister run in opposition to Bob. Neither party, though, is expecting a third runner. Before they can even vote, the third candidate is found murdered.
This volume, like Sentenced to Death puts me in a Gilmore Girls state of mind. Bob reminds me of Taylor Doose. So when the central goal is to defeat Bob (and solve a murder mystery) it's hard not to start recasting all the characters with the actors from Gilmore Girls.
Mostly this volume is a whole string of red herrings. Obvious murderer is obvious. It's obvious from the very get go and really this is more about Tricia trying to avoid her label as the town jinx. And frankly, it doesn't matter. By book seven I'm fully invested in the town and its residents.
The transformative power of the cornfield: magic in the Marvelous Land of Oz: 01/17/17
This essay covers the first two chapter of the Marvelous Land of Oz.
The Marvelous Land of Oz by L. Frank Baum (1904) opens as The Wizard of Oz does, on a farm in the countryside. As Oz doesn't have a middle of nowhere because it's capitol is in the center of kingdom, the farm is located in the north, in the land of the Gillikins. It is there in a cornfield, hiding from his guardian Mombi, that we meet Tipperarius (Tip). That Tip and Mombi's introduction is done on a farm and from the perspective of a cornfield (a place to hide, (p. 2)), the cornfield as an important motif to Oz is re-established. The title itself is another indication of the importance of land — and of farm land — the first thing to appear in the book — to the magic of Oz.
In Crossing the Cornfield I suggested that Oz is encircled not only by the deadly dessert and the sea, but also the cornfield. After sitting through a lengthy discussion between my husband (a math PhD) and our son (currently the D.M for a Dungeons and Dragons campaign for his friends and sister) on the geography of the tesseract, I'm going to expand my notion of where Oz lies relative to Earth and suggest that it and the other lands, are contained within the tesseract that also contains the Earth (or more broadly, our universe). It would explain the reversal of east and west between the worlds and the oddball ways it's possible to travel between Earth and Oz and Oz and other lands, while still keeping them separate. The thing though that separates or hides or otherwise obscures the borders between cubes (worlds) within the New World tesseract is the cornfield.
Mombi, though she has magic, cannot by Oz law call herself a witch or practice witchcraft. Unlike the Puritanical belief that witchcraft is inherently evil, Ozian magic is hierarchal with Witch being the highest magical rank available, and with there only being for spots available: one for each of the Lands (though Dorothy of course, took out the witches of East and West with a house and a bucket of water, leaving presumably only the North and South under the rule of a Witch. Here then Witch is a title like Duke but with magical benefits. Mombi, then can only at most be a Wizardess or Sorceress (p. 2) Nonetheless, it is established Mombi is a practitioner of magic (whether lawful or not) and she maintains a farm with a cornfield large enough to hid the antics of a boy as well as a pumpkin patch.
Readers familiar with the Oz series know who Tip. Reading it with modern, twenty-twenty hindsight, it is easy and tempting to peg Tip as the first transformation of this book and of this cornfield. Let us instead put ourselves in the mind set of a 1904 reader. The cornfield and pumpkins and magical old woman (keeping in mind that Witch by Oz standards isn't the correct term for Mombi) would be a familiar set of motifs. Readers would be drawn to expect a pumpkin headed scarecrow to be brought to life based on Nathaniel Hawhtorne's short story "Feathertop" (1852). Mombi and Tip together (magic and a desire to play pranks) share the key pieces of Mother Rigby's character traits. A literal reading of "Feathertop" would be that all (or most) of the denisons of the nearby village were at one time, creations of Mother Rigby, as noted by her exclamation, "He'll meet plenty of his brethren at every street corner!" (Hawthorne, Feathertop).
Feathertop, the precursor to Jack, begins as a "a mere thing of sticks, straw, and old clothes, with nothing better than a shrivelled pumpkin for a head." (Hawthorne, Feathertop). Tip's creation is made from "stout, straight saplings, which he cut down and trimmed of all their twigs and leaves." (p. 10). The body is made from "thick bark from around a big tree, ... fashioned ... into a cylinder of about the right size (p. 11). Everything is then jointed and pinned together with "pegs whittled into shape with his knife." (p. 11). After fashioning a neck to hold the pumpkin head, Tip selects the clothing: "purple trousers, red shirt, and a pink vest dotted with white spots." (p. 12). To that he adds a pair of Mombi's knit stockings and his old shoes. Compare that to Feathertop: a plum-colored coat, a faded golden velvet waistcoat, and a pair of scarlet breeches ((Hawthorne, Feathertop). The clothing is similar as are the colors, though not identical. The two are similar enough for Jack to harken to mind, Feathertop.
Thus a retelling of a familiar story only fifty two years old at the time (the same age difference as 2017 and Fox in Socks and Lyle, Lyle Crocodile,, sets up the expectation of a transformation from pumpkin headed scarecrow to living man. Oz, being Oz, Jack isn't glamoured up to appear more than he is and when Tip laughs at his creation brought to life by Mombi, Jack admonishes, "'I hope you are not reflecting on my personal appearance." (p. 21).
Jack's discomfort at his appearance, or perhaps, his demands to be accepted as is, is the first clue to the final transformation of the book. It's also telling of how internalized self expectations can be expressed as disregard or disrespect for someone going through same thing. The final transformation in these introductory chapters, is in fact that of Tip. Rather, it's a threatened transformation. Rather than deciding to "beat him black-and-blue" (p. 17), Mombi cooks up a potion of "equal parts of milk and vinegar", "several packets of herbs and powders" in a kettle. (p 24-5). The concoction when drunk will turn Tip into a marble statue for her flower garden (p. 25-6).
This threat of transformation is what prompts the rest of Tip's story. He will flee Mombi and the cornfield. That he is an orphan, or a boy who "remembered nothing of his parents," (p. 7), Tip at this point has orphan magic at hand — just as Dorothy did, which allowed her to travel safely to Oz, survive on her quests, and find her way home.
Welcome to the Real World: 01/16/18
Welcome to the Real World by Angela Melick is the second of the Wasted Talent compilations. This one covers her first jobs and her engagement to Trevor. Theses vignettes from her life are interspersed with some situational humor.
The book settles down into two main threads: Angela's attempts to learn how to mountain bike and how she settles into her job. Her job meanwhile has two distinct parts: newbie in the big city, and newbie in the countryside (Mission). Her job, especially in Mission, reminds me of my friend Alice's work. Both are engineers and both work with keeping pipes working. Alice, though, works with sewers. Both though involve messy work in remote (but sometimes beautiful) locations.
The book includes an appendix of rejected comics, a tutorial on how to draw comics with pens, and a list of notes about different scenes in the book. The third compilation is Cubical Warrior. At the moment I can't find a copy.
Juana and Lucas: 01/15/18
Juana and Lucas by Juana Medina is an early reader inspired by the author's childhood in Bogotá. She begins by outlining the things she likes and doesn't like and what her life at home and school is like. Then she settles into how she had to learn English in school and how difficult and frustrating it was and how stupid a class it seemed at the time.
Her outlook on English changes as all the important people in her life see it as an essential life skill and something she is lucky to be learning. That doesn't make the process any easier. It is a weird language.
The book design is a blend of a traditional early reader and a graphic novel. The way the text and the illustrations blend together reminds me a school life manga or anime. Medina is an illustrator and an art instructor, so this book plays to her strengths. It's a wonderful example of write and draw what you know.
I wish there were more books featuring Juana and Lucas.
It's Monday! What Are You Reading? (January 15): 01/15/18
Every year the local art gallery hosts a build a better birdhouse competition for high school students who are in an art or shop class. This year my son had a birdhouse in the show. I bid on it and two others and won all three! My son's birdhouse and another one will be going into the garden for the local birds. The third one, a gorgeous ceramic acorn called "Sea Mist" will be on display in our house. My daughter actually opted to spend her allowance money on it; so it's now hers.
Also every year, the national PTAs host an art contest for students (grades 2 through 12), called Reflections. The theme changes every year. This year's theme was "Within Reach." My daughter won at her level at her elementary school and was invited to the regional awards ceremony. Unfortunately she didn't earn a spot at the state level but she's determined to try again next year.
What I read:
What I'm reading:
Teddy Mars: Almost a World Record Breaker: 01/14/18
Teddy Mars: Almost a World Record Breaker by Molly B. Burnham is about a boy obsessed with the Guinness Book of World Records. He wants more than anything to set his own record and get himself into the book.
Meanwhile he's plagued by being part of a large, noisy family, with a younger brother who doesn't respect his space and seems hell bent on making his life miserable. Deciding to get away from it all by sleeping in a tent in the backyard.
Next door to the Mars family is an old man who has an aviary. Impressed by Teddy's declaration of independence, the man decides to hire the boy to help with his birds.
I personally (and this is me speaking as a parent) wanted to see more involvement from the parents but I realize that not every family is the same. I also, though, have to respect Teddy's restraint with his out of control brother.
From all of this mayhem comes the story of a boy learning to accept his family, take care of himself, and make amends with his brother. It's a bit of a diamond in the rough.
The Terrible Two Go Wild: 01/13/18
The Terrible Two Go Wild by Mac Barnett, Jory John, and Kevin Cornell is the third of the Terrible Two series. It's summertime and Niles and Miles are spending their days in the Yawnee Valley Regional Park and Outdoor District. Particularly, they are spending their time watching and pranking Josh Barkin and his squad from the Yawnee Valley Yelling and Push-Ups Camp.
Josh has come back to camp willingly (the only kid to ever do so). And thus because of his experience, enthusiasm, and love of yelling, has been made a junior counselor of sorts. Under him are a set of twins whom he's nicknamed Splinters and Mudflap. When their company flag is stolen by the Terrible Two, Future Principal Barkin vows revenge.
The book unfolds over the course of the summer — during which time Josh remains at camp, though numerous sessions, I'm assuming. The Terrible Two spend much (but not all) pranking Josh and his father and preparing for the revenge they expect.
A couple interesting points though of character growth. First, Josh, actually does have some leadership skills (though he still lacks compassion and some basic common sense). Niles loves to read and has put a mini-library inside their hideout. Principal Barkin likes hiking (but isn't very good at it); he also has come to realize that he likes being pranked.
My favorite prank in the book was one my grandmother used to play (though more as an art piece, than a large scale prank). It's the "turn me over" prank that's painted on the top of a rock. Turn it over and it will have some variation on "Gotcha! Now turn me back over to prank the next person."
I don't know if more is being planned, but I will definitely read a fourth book if one is published.
Otis and the Scarecrow: 01/12/18
Otis and the Scarecrow by Loren Long is the sixth book in the Otis picture book series. I read it as part of my on-going exploration of the crossing the cornfield category of road narratives.
If cornfields are magical barriers between worlds, or supernatural prisons, there needs to be a warden. The scarecrow, a mundane creation of straw and old clothes and a painted on face, is there to keep away the birds who want to eat the corn. But when the supernatural is brought into play, the scarecrow is often brought to life as a warden or bogeyman.
In Otis and the Scarecrow, there is a disconnect of expected tropes and actual outcomes. It's not a deconstruction of the tropes — just an oversight due to the way the series is set up. Otis, for his many years of service the farm tractor has gained sentiency and freewill — something the farmer realizes at the end of Otis. The story here, then, is Otis — a living tractor — being jealous of the newcomer — a scarecrow put up near the cornfield by the farmer.
Otis, who is friends with the farm animals, takes in instant dislike to the scarecrow because it doesn't frolic. It's rather neutrally painted face is rendered in a chiaroscuro fashion making it appear rather threatening. Except throughout the book — even in a driving rain storm — the scarecrow is shown to be an inanimate object.
The book ends with a close up of the scarecrow's face after Otis has decided that the scarecrow isn't like his other friends, but also isn't a threat. It's subtly implied that maybe in the distant future there might be a spark of life in it — but only after years of service.
Regardless, the scarecrow / cornfield part of this book is set apart from the crossing the cornfield road narrative. The farm is already isolated, with a set cast, and with the central character being a tractor. With the scarecrow being the outsider set to work at guarding the cornfield, there's no real threat to the other characters. If anything, the scarecrow is at the mercy of the other characters should one of them decide that it's not welcome.
This scarecrow might fall into the category of "reluctant scarecrow" which would include the Scarecrow from the Oz series and Feathertop, a creation of Nathaniel Hawthorne. At this juncture, though, I'm not sure how relevant the "reluctant scarecrow" tangent is to my road narrative project.
Habibi by Craig Thompson is a graphic novel set in an Islamic dystopian future. Dodola and Zam, two refugee slaves make a life for themselves in a boat washed up on what's now a desert at the edge of a vast city.
Dodola is sold into marriage, escapes, and later is captured and taken into a harem. Much of her story seems to be an excuse to draw her naked.
Zam, a young African boy has a good childhood with Dodola until he hits puberty. Then we have lots of awkward scenes of him watching Dodola dress and bath.
Mixed into this voyeuristic romp through rape fantasies and Orientalism are lessons from the Quran. Politely put, it's an awkward juxtaposition.
Put another way: imagine the outrage if the same story was told except Dodola was former indentured servant living near Monument Valley with a former slave boy, only to be kidnapped and forced to be a sister wife to some Mormon elder with chapters being introduced with calligraphic excerpts from the Book of Mormon.
Sabotage at Willow Woods: 01/10/18
Sabotage at Willow Woods by Carolyn Keene is the fourth of the Nancy Drew Diaries. Nancy and her friends get caught up in campaign sabotage in a neighboring town. George's cousin is running for city council but it seems that someone is out to ruin the campaign.
One of the big complaints reviews have for this volume is that the cover art has nothing to do with the plot. The titular Willow Woods is the location of a proposed expansion for the high school football field. There is a brief scene near the climax where Nancy is running through a wooded area, though it's not necessarily the Willow Woods.
While I'm for covers that are narrationally relevant, I don't think this cover fails its book. This liminal cover bridges the gap between the older Nancy Drew books that often showed Nancy creeping through a wooded area, and this new series that puts Nancy and friends in the midsts of modern day mysteries.
Here the sabotage isn't of the woods — it's of the campaign that hinges on building on the site of the woods. The woods in question are old growth and opponents to the plan argue that it would an environmental disaster to clear the area.
Given the recent presidential campaign, and the gutting of numerous environmental laws and agreements under forty-five, Sabotage at Willow Woods is eerily timely. The motivations of the saboteur are good even if the methods border on the terrifying at times.
One thing I like about this modern series is that the plots are less cut and dry. There's a lot of moral ambiguity that Nancy and friends have to face. Nancy doesn't have a clear cut path to thwart the villain.
Black Hammer Volume 2: The Event: 01/09/18
Black Hammer Volume 2: The Event by Jeff Lemire picks up where Secret Origins ends. The woman — a reporter by trade — has tracked down the location of her missing father and his companions, only to find herself trapped too. With her arrival we're given the origin story of Black Hammer as well as the gruesome details of his death.
If anyone will find the way out of this utopia it will be she. Being a reporter — one who already has had the chops to find the missing superheroes — she knows what questions to ask. She is observant. She can see that the town and its people are off. And they can see that she's aware of the artifice.
More importantly, though, she is an orphan (albeit metaphorically, as her mother is still living) with her father's disappearance. Now on the other side of the portal, in a rural town outside of known space and time, with the reality of her father's death, she is imbued with orphan magic. For The Event that permeation of magic is manifest in her being able to wield her father's hammer.
Other interesting side plots show more insights into the stories of the other heroes. There is a side story about the meeting of Colonel Weird and Talky-Walky (TLK-E WLK-E) which gives insight into the nature of Rockwood.
Finally, there is further reasons given for Gail's bitterness. She was retired and in a relationship. That relationship is the hook for Sherlock Frankenstein and the Legion of Evil Volume 1 which comes out in May.
Patina by Jason Reynolds is the second of the Track series. Patina is the daughter of the woman who lost her legs to diabetes. This is her story — about why she runs and how she juggles her life with her foster parents and her mother.
Patina is a survivor. Her story as a runner pivots on the night her father's death. Although his death is health related, how Patina reacts and copes with his death is similar to Starr after Khalil's. Also like Starr, Patina lives in two worlds and that wears thin on her patience.
I love this series and getting to know how each kid on the team. Reynolds gets kids. His writing continues to be relatable. The next book in the series is Sunny, out in April.
December 2017 Sources: 01/08/17
Like November, December came in two distinct parts. The first was the remainder of the Cybils so we could have time to vote on the short list. The second half was free reading and the holidays. Unfortunately we all got sick to one degree or another and I didn't get as much reading done as I had hoped in those last days.
The Cybils reading for the first three weeks of December skewed the overall score upwards, though not as high as November's. The last ten days allowed for time to read books from my personal collection (the ultimate goal of this metric). As there were two new purchases in that selection, the reading score wasn't as good as it otherwise would have been.
Looking at 2015, 2016, and 2017, as year long trends, my reading has continued to improve in terms of working through older books on my shelves. Looking just at the last December, though, the month's score was higher than all previous Decembers for the last three years. Typically December's reading falls under the trend line, with this December rising above it.
Looking at all Decembers since 2010, this December was right about in the middle of usual reading patterns. It is a mixture of library and older books
In fact, December 2017's reading was so typical of December reading, that it didn't affect the month average at all. The month average is -2.44 and the month's score was also -2.44.
January is Cybils free for me but I am trying a new thing with my blog. I want to concentrate on reading and reviewing more current publications. As I plan to be purchasing and reading on average four new books each month, my ROOB score will certainly drift upwards. While this might seem like a bad thing, it's actually a reflection of the previous years' work at whittling down the backlist of the to be read shelf. Having so many books now read and reviewed, I have the luxury of being able to schedule in more new books.
It's Monday! What Are You Reading? (January 08): 01/08/18
Here it is the second week of 2018. The family is gone home. The Christmas decorations are down. Our live tree is now planted on the hill. Vacation ends today and the kids are therefore back in school.
What I read:
What I'm reading:
If You Find This: 01/07/18
If You Find This by Matthew Baker is a middle grade novel about musical prodigy trying to find his grandfather's lost treasure, if there is one. The problem is that his grandfather suffers from dementia and is only lucid for a few minutes at a time.
The basic story is a treasure hunt caper on a small scale. It's set among a dwindling family history and a crumbling house along an abandoned road. There are clues mixed up in the grandfather's ramblings and tattooed on his body.
But the presentation suffers from two things: a narration that talks down to reader and a narrator who uses quirky notation to show off how he's a prodigy.
Nicholas thinks of everything in terms of musical notation. OK. No problem, right? Yes problem. The book includes notations above the words for whenever there's a sound to show how loud or soft it was. It gets tiresome by the end of the first chapter. An entire book of this is intolerable.
You know how some authors get stuck on catch phrases for character traits, like the character who says everything wryly or the one who is always saying things sotto voce? Right. It's like that except above every sentence. Even music real sheet music isn't as notated as this book is.
December 2017 Summary: 01/06/17
December, except for the Cybils was quiet. We had Christmas at home and invited our family for New Year's Eve. We also all caught the flu and spent a lot of time in bed either sleeping or reading or just feeling miserable.
December continued the trend of diverse book being the majority of the month's reading. That said, this majority was smaller than previous months. Most of the reading in December was determined by last minute books read for the Cybils.
Reviews for the month fell short of my goal to include a majority of diverse books. Part of that stems from trying to work through as much of the backlog of reviews.
January continues on the path of scheduling I started over the summer, though with a couple changes. First is that Sundays are devoted to backlist books. First, that means the remaining reviews.
I have twenty-three from 2015 that I would like get posted soon. Next priority is the sixty-five from 2016, and finally the eighty-three from last year. Baring no other reading, that would mean nearly six months of just posting old reviews. Of course that's not going to happen. With my plan to devote Saturdays to new publications, I would need seven months for the remaining reviews. Keeping in mind my Canadian book reviews, on Tuesdays, I'm more realistically looking at eight months to clear out the entire backlog.
Now That You Mention It: 01/06/18
Now That You Mention It by Kristan Higgins is about a doctor returning to her island home in Maine to recuperate after she's been hit by a van. Nora needs time to regroup after she overhears her boyfriend flirting with a nurse while she's in the emergency room. She suddenly feels the need to see her family and her home town even though she hasn't been home for seventeen years.
Emotionally Dr. Nora Stuart reminds me of Hattie Troutman, the protagonist and narrator of The Flying Troutmans by Miriam Toews. Like Hattie, Nora has a sister who is in trouble (in jail in Seattle) and a niece who needs her. Poe, though, isn't on her own like Thebes and Logan; she has her taciturn, self-reliant grandmother. Wrapped up in Nora's ambivalence is the story of why she left in the first place and why she hasn't been back. It involves a missing father, a college scholarship, horrific bullying, and a deteriorating relationship between sisters.
The novel is set in Boston and fictional Scupper Island. The island contains a small, self contained village that's big enough to have it's own high school but small enough to be reliant on the summer tourist trade. It sits among the other Calendar islands in Casco Bay. For convenient plot reasons, the island offers ferry service both to Portland, ME, and Boston, MA.
The island, though, could be any small, rural community within reach of a large, metropolitan area. This is the type of place at the heart of the road not taken road narrative, even though it's located on an island. Here, the water is the source of the isolation, with extra effort being needed to come to or leave the island.
Higgins populates her book (and the island) with some wonderful characters. There's Nora's mother who is the sentimental owner of a bird (Tweetie) who she treats better than her children, but could easily butcher a deer. There's Poe, Nora's blue haired, sullen teenaged niece who has a thing for sewing. There's Sullivan, who runs the docks where Nora is living; he's, the mostly deaf, potential love interest (if Nora can figure out her Boston boyfriend). There's Audrey, Sullivan's daughter who desperately wants to be Poe's friend.
All in all, it was a fun two-day read. It was one of those rare books that actually left me with a bit of a hangover, feeling like I wanted more book.
Sunflower House: 01/05/18
Sunflower House by Eve Bunting tells about life cycle of a sunflower, but told through how a group of children use the flowers for some summer fun.
The title tells the basics. The children plant the seeds in a circle instead of in a line. As the flowers grow up, they end up making a natural fort that's only big enough for them to enter. The parents, though, can only enjoy it from the outside.
The sunflowers, though flop over as they become heavy with seeds. I know from my own experience, they probably weren't watered enough. Those giant sunflowers are thirsty plants. They do, however, manage to get some seeds from their crop — enough to replant the house the next year.
Ghostbusters 101: Everyone Answers the Call: 01/04/18
Ghostbusters 101: Everyone Answers the Call by Erik Burnham and Dan Schoening is the album of the Ghostbusters 101 comic arc. I read most of the arc as digital issues over the course of the year but saved the last issue to read in print. There were a couple reasons for that: I've collected most of the albums and by fall I was in serious need for glasses making reading in digital format extremely difficult.
Back when the all woman reboot of Ghostbusters was announced and the dude bros pissed and moaned about their childhoods were being ruined, I wrote a post defending the decision, using Erik Burnham's comics as evidence for an alternate reality of Ghostbusters. This arc unites the original ghostbusters with their female counterparts. It is epic and it is awesome.
Burnham brings the strengths and weaknesses of both groups into play. The original set have the advantage of years more experience as well as their franchises. They have strength in numbers. And they have Jenine who remains the brains of the operation.
But they are also a bit old school and a bit too trusting of their technology. Containment breaches be damned. It is their trust in unsupervised technology that opens up the portal between their universe and the Ghostbusters 16 universe.
The women are still relatively new in the business of busting ghosts but they are more up-to-date with technology. Their traps are wireless. They also are more cautious with technology, meaning that if they had a portal, it wouldn't have accidentally been open. That's probably a built in defense from keeping Kevin in staff.
But mostly, let's just stop to appreciate the wonder that is Jillian Holtzmann. She's an awesome character in the film. She's even more so in the comic. I swear reading these issues took three times as long because I was taking screenshots of nearly every panel she was in. One favorite from early in the arc:
Five Stars in 2017: 01/04/18
During Monday's "What Are You Reading" link-up, I read a post by another participant that included the covers of all the five star books reviewed in 2017. I got curious to see how mine stacked up. Four days later I can tell you! When you read a lot, it takes a lot of time to compile these sorts of posts.
Last year I reviewed 365 books. From that total list, one hundred and four (just under a third) of the books I reviewed were published last year. The remainder were backlist titles, published in 2016 or earlier.
From the 2017 books, sixty-one of them (or nearly 40%) of the books I reviewed received five stars. It's a combination of 2017 being a really good year for books and me being pickier with titles I decided to read.
For the backlist books, ninety books (or roughly one quarter) of the books earned five stars. The backlists books are a mixture of research and titles that have been sitting on my wishlist for long enough can't always remember why I wanted to read them.
Books Published 2017 that received five star rating
Backlist titles that received five star rating
A Pug's Tale: 01/03/18
Back in 2008 I reviewed the first of Alison Pace's pug novels, Pug Hill. I didn't give it the best of reviews, complaining there wasn't much there for a 312 page novel. Put in perspective, I was swamped with reading tons of review copies, trying to keep a rigid schedule of posting, and being the parent of two young, rambunctious children.
But there was a positive feeling lingering too. And over time only the positive feelings remained. So I've gone back to Hope and Max to read of their next adventure in A Pug's Tale.
Hope works for the Metropolitan Museum of Art, cleaning and restoring paintings. A wealthy, eccentric woman is donating a pile of dough to the museum and in return, the board is letting her host a pug party. Since Hope brings her pug, Max, to work on a regular basis, she doesn't see the harm in crashing the party with him.
During the mayhem a painting is removed and delivered to the Hope's department. Of course she quickly sees that the painting is a forgery, albeit, a damn good one. Before calling the police or alerting anyone else, her boss decides that they should figure out what happened to the original by themselves.
The clues themselves aren't traditional mystery clues, not even cosy mystery clues. These are more caper clues in that each clue is designed as part of a greater treasure hunt. The nature of crime and the nature of the clues, makes the who behind the crime pretty obvious but it's still a fun read. Even Hope is well aware of who is probably behind it. But she still feels compelled to follow the clues.
It's a charming and goofy novel. I'm glad I took a chance and revisited the characters.
Adventure on Whalebone Island: 01/02/18
Adventure on Whalebone Island by M.A. Wilson is the first of the Maple Harbour mystery series for middle graders. It's published by Rainy Bay Press out of Gibsons, British Columbia. I don't normally point out publishers, but it's a small house but knowing where it is, helps to picture the setting of this book.
If you've been to western British Columbia, you know that the province ends with a series of islands. In fact the capitol is on an island, Vancouver (not to be confused with the city, which is about thirty minutes drive north of the border on the mainland). We spent Christmas in Victoria for 2014, 2015, and 2016. Getting there and back requires an hour and a half ferry ride.
We've always gone to a large city on the largest island. Maple Harbour is a much smaller village. It's the sort of place where you could draw the entire island on a single sheet of paper and list everyone's name and telephone number. It's a place where you have to be water savvy and boat savvy. Claire, one of the two island children in the this book has a sailboat and is on her way to being a champion sailor.
Claire and her brother, Nathan, and their parents, are playing host to cousins Ryan and Kendra. They're expecting to swim and laze about but Claire quickly gets them involved in a hunt for sunken treasure.
I grew up reading The Hardy Boys and Trixie Belden, two American mystery series for children. Maple Harbour has that same feel — with a bit of the Famous Five. Or more recently the foursome is like Nancy Drew and her buddies from the Nancy Drew Diaries. But their adventure is set in (for me) a familiar area which makes it all the more magical.
Finally, the bonus, and I'm speaking here as an American again, is that publisher is small enough that there is no American edition. If you buy the book (and I hope you do), you get the Canadian edition. That means it's Maple Harbour and not Maple Harbor. It's 100% unadulterated Canadian children's literature and it's delightful.
The second book in the series is The Mystery of the Missing Mask which I have on hand and will be reading later this month.
Things Too Huge to Fix by Saying Sorry: 01/01/18
Things Too Huge to Fix by Saying Sorry by Susan Vaught is set in Oxford, Mississippi. Dani's Grandmother lives at home with them because she is in the later stages of Alzheimer's. Before the illness she was an author and historian and got into a renowned literary feud with another local author. Now Dani has decided to track down the truth behind the feud.
What transpires is a mixture of what it's like to live with a relative who no longer remembers their family or themselves even, and the handwritten history — primarily letters written to Dani by her grandmother.
Through the grandmother's letters the history of Oxford from the Civil War to the Civil Rights Era is outlined with remarkably few punches pulled given that this is a middle grade book. The history is messy, honest, and full of the on-going racism and the fight against it.
The book ends with an afterword explaining the genesis of the novel. The grandmother's dementia is a framing story to give space for these letters and the history. Vaught is distressed over how much of the history is glossed over when its taught to children.
It's Monday! What Are You Reading? (January 01): 01/01/18
Happy New Year! From the last Monday link up of the year, to the first one! Last week I mentioned that I was done reading for the Cybils. If you're curious what's on the short lists, they will be announced starting around 9AM Pacific Standard Time (or 5PM GMT).
What I read:
What I'm reading: