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Month in review

Reviews
An Age of License: A Travelogue by Lucy Knisley Alienated by Melissa Landers
American Panda by Gloria Chao
The Belles by Dhonielle Clayton
The Bone Sparrow by Zana Fraillon
Book Clubbed by Lorna Barrett
The Case for Jamie by Brittany Cavallaro
Cold War on Maplewood Street by Gayle Rosengren
A Dash of Trouble by Anna Meriano
Dragons Beware! by Jorge Aguirre
A Family Is a Family Is a Family by Sara O'Leary
Giant Days, Volume 6 by John Allison
Internet Famous by Danika Stone
The Kairos Mechanism by Kate Milford
Latte Trouble by Cleo Coyle
Lost in the Sun by Lisa Graff
Monsters Beware! by Jorge Aguirre
Out of Tune by Gail Nall
Ozma of Oz by L. Frank Baum
Peeny Butter Fudge by Toni Morrison and Slade Morrison
The Penderwicks in Spring by Jeanne Birdsall
The Prince and the Dressmaker by Jen Wang
The Problim Children by Natalie Lloyd
A Side of Sabotage by C.M. Surrisi
Star-Crossed by Barbara Dee
Step Up to the Plate, Maria Singh by Uma Krishnaswami
Sweet Shadows by Tera Lynn Childs
Sweet Tooth: Deluxe Edition, Book One by Jeff Lemire
Topsy-Turvies: Pictures to Stretch the Imagination by Mitsumasa Anno
The Way to Bea by Kat Yeh
The Wild Robot Escapes by Peter Brown

Miscellaneous
February 2018 Sources
February 2018 Summary
It's Monday, what are you reading (March 05) It's Monday, what are you reading (March 12) It's Monday, what are you reading (March 19) It's Monday, what are you reading (March 26)

Road Essays
Introduction to the road narrative project
Metaphoric language of marginalized travelers
Place Character Shibboleth: Towards an understanding of bypass stories
Rethinking Urban Fantasy: Where is Nagspeake?
Road trip to the underworld: the Nome King and Hades

Previous month

Rating System

5 stars: Completely enjoyable or compelling
4 stars: Good but flawed
3 stars: Average
2 stars: OK
1 star: Did not finish


Star-Crossed: 03/26/18

Star-Crossed

Star-Crossed by Barbara Dee is as the title implies, a Romeo and Juliet pastiche. That it happens to be a middle grade and queer is startling and delightful.

Mattie is a star student and a voracious reader. She ends up part of the sixth grade play and she wants a minor role because she's a reader, not a performer. She's had a crush on a boy for a while and her besties are waiting for to finally make a move. But then, there's new girl Gemma (who is perfect for the role of Juliet and is instantly cast as her) and Mattie's world turns upside down.

Mattie is completely, utterly, one hundred percent taken in with Gemma and slowly but surely comes to the realization that she's bi. (She does still have the crush on the boy but Gemma seems to be genuinely interested in her, too).

The school happens to have no rules about who can or can't play roles in a play (unlike the strictly gendered roles in the Charlotte's Web play in George. And while there are a couple goofballs teasing about who gets what role, the school (teachers, administrators, and students) are all rather positive about who gets cast for each roles.

Each character in the book has a Shakespearian counterpart and they aren't necessarily the roles they've been cast in the play. Being familiar with the play (though there is enough explanation of the roles in the context of the novel) helps to understand the school dynamic and the growing relationship between Mattie and Gemma.

Thankfully for our two star-crossed lovers, their school romance isn't a tragedy. They do get a chance at a happily ever after — though what happens after the play is left to the imagination.

Five stars

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