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A.D.: New Orleans After the Deluge by Josh Neufeld
Big & Little Questions (According to Wren Jo Byrd) by Julie Bowe
Bitter Seeds by Ian Tregillis
Black Cats and Evil Eyes: A Book of Old-Fashioned Superstitions by Chloe Rhodes
Bruja Born by Zoraida Córdova
Cat Got Your Diamonds by Julie Chase
Classified as Murder by Miranda James
The Clue at Black Creek Farm by Carolyn Keene
Death by Dumpling by Vivien Chien
Espresso Shot by Cleo Coyle
Exit Stage Left: The Snagglepuss Chronicles by Mark Russell and Mike Feehan
Farm City: The Education of an Urban Farmer by Novella Carpenter
Giant Days: Extra Credit by John Allison
The Great Shelby Holmes and the Coldest Case by Elizabeth Eulberg
The Ice Witch by Joel Ross
It All Comes Down to This by Karen English
Kraken by Wendy Williams
The Legend of Korra: Turf Wars Part One by Michael Dante DiMartino and Irene Koh
Lost and Fondue by Avery Aames
Mabel Jones and the Forbidden City by Will Mabbitt and Ross Collins
Marcus Vega Doesn't Speak Spanish by Pablo Cartaya
Midnight Without a Moon by Linda Williams Jackson
The Million by Karl Schroeder
Monoceros by Suzette Mayr
Paradox in Oz by Edward Einhorn and Eric Shanower
Pride by Ibi Zoboi
Restart by Gordon Korman
Running With Lions by Julian Winters
Still Missing by Chevy Stevens
Weather or Not by Sarah Mlynowski, Lauren Myracle, and Emily Jenkins
The Wicked Will Rise by Danielle Paige

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Cybils Update (October 16)
Cybils Update (October 23)
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It's Monday! What Are You Reading? (October 01)
It's Monday! What Are You Reading? (October 08)
It's Monday! What Are You Reading? (October 15)
It's Monday! What Are You Reading? (October 22)
September 2018 Sources
September 2018 Summary

Road Essays
FFCC99: Orphan Uhoria Labyrinth
FFCC33: Orphan Uhoria Blue Highway: A comparison of The Sentinel and Three-Quarters Dead
FFCC00: Orphan Uhoria Interstate: The Polar Express, Waiting for Augusta, and Winterhouse
FF99FF: Orphan wildlands cornfield
Road Narrative Update for September 2018

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Bruja Born: 10/22/18

Bruja Born

Bruja Born by Zoraida Córdova is the second of the Brooklyn Brujas and like Labyrinth Lost, is a road narrative, though this one more metaphorically so than its predecessor.

These two books are connected through the sisters. The first one was from Alex's point of view. This novel is Lula's story and comes months after the conclusion of book one.

I admit to buying and reading the book without reading a single blurb about the book, not even the one included with the book. I knew I was going to read it and I didn't care to know what it was about. That ended up being very effective because after the start of a rather humdrum sister feeling out of sort and needing her own time to heal post return from Los Lagos, everything is literally and figuratively violently turned upside down. (If you want to know how, go read the second paragraph of the blurb on Goodreads or any other online book website)

Put bluntly, Lulu like everyone else in the accident, should have died. But she's a bruja with bruja sisters and they were able to help her live. When she tries to do the same for her boyfriend, Maks, who is one of the victims, things go horribly wrong.

For my road narrative project I've put the orphan or lone protagonist at the top as the most powerful traveler. However, coven stories have their own traditions, where sisterhood is more powerful than a single witch or bruja. Córdova broadens that tradition to include la familia, living and dead. It's well in keeping with Latinx traditions.

While an orphan protagonist might be the most magical for many types of road narratives, sometimes family is. Lulu is only able to fix the mess she's made (raising an undead horde) after she brings in her entire family to help.

Bruja Born, then, is a 3300FF (family city cornfield). The family is Lulu's sisters and parents. The city is New York, though more specifically, Brooklyn. The cornfield is Coney Island, used as the entry point to where Death herself is trapped. Coney Island as a place along the water is a tkaronto crossing.

Five stars

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