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It's Monday! What Are You Reading? (March 18): 03/18/19
No photos of my art this week. The piece I showed you last week is still waiting for me to work on it. I got caught up in other projects and there was a full day of work on Friday.
The last two Fridays I've worked full days at the gallery to co-teach four different field trips. Each field trip lasts two hours with a half hour break between them. Each class has between twenty and thirty students plus their teacher and adult volunteers.
Reading-wise it was a quiet week. I finished four books. They were all excellent. My favorite of the lot was Comics Will Break Your Heart by Faith Erin Hicks, with Swap'd by Tamara Ireland Stone coming in a close second.
What I read:
What I'm reading:
Posts and reviews:
Tops & Bottoms: 03/17/19
Tops & Bottoms by Janet Stevens is a picture book story about some industrious hares teaching their bear neighbor a lesson. The story is a retelling of a Brer Rabbit tale.
The gist of this book is that Bear, a landowner — a plantation owner — is too lazy to do his own work. The hares do all the work. To obscure the fact that the hares are stand-ins for slaves, they are recast as neighbors.
With the hares as neighbors, their motivation to farm Bear's land is weird. Granted, the hares are a huge, hungry family. Granted too that lagomorphs do raid gardens (see the second Fenway and Hattie book, for example) but here you have anthropomorphized animal characters sometimes doing animal things because it's convenient for the plot.
The focus instead is taken to how the hares trick Bear during their one year of farming for him. When they give them the "tops", they only grow root vegetables. When they give him the "bottoms" they only grow plants that produce edible parts above ground. When he wants both the "tops and bottoms", they grown corn and take the "middle" (aka the ears of corn).
What is left unanswered is why did they do this for bear in the first place? If he's not forcing them through slavery, why not just till their own land. If their land isn't big enough to feed the entire family, what happens next year? Does Bear share? Does he hire them to do the work?
Curating while reading: 03/17/19
After ten years of slogging through a reading and reviewing backlog I am now within weeks of being completely current with my reading and reviewing. This is both exhilarating and terrifying.
I have come to rely on having finished books and finished reviews for posting on days when I hadn't finished reading something. Now those days will end sometime this year. I know they will because I am slowing down with my reading due to a few reasons: age (my eyes aren't what they used to be), other commitments, other hobbies.
I am working part time as an art instructor at a local gallery. It's a dream job. I'm using my non-work hours to work on my art to show and to sell. I also have a summer camp to plan.
The good news is that this blog will become more coherent and will feature reviews and posts that more focused on subjects and genres that I am passionate about.
I am keeping the themed days. A week of reviews here looks like this:
Once the backlog is cleared, Monday will probably become a genre focused day. I'm thinking scifi/fantasy. I enjoy those genres but haven't been focusing on them much in recent years.
What about days where there is no review?
On days that I don't have a review ready, I will write something else that fits the day's theme. I might make a list of favorite books. I might talk about my favorite author. I might look at the history of the genre. I might talk about upcoming books.
Song for a Whale: 03/16/19
Song for a Whale by Lynne Kelly is about the connection a Deaf girl connects with a whale who doesn't seem to have any other whales who can understand him. She uses her love of fixing old electronics (especially radios) to find a way to communicate with him so he knows he's not alone in the world.
For the most part, Nina dislikes her school. She has a classmate who tries to help by speaking in sign but it's not ASL and she doesn't respect Nina's personal space. There's the teacher who would rather send her to the office than see things from her point of view.
Things change when in science class she sees a video about Blue 55, a whale who sings in a frequency that is too different from other blue whales. Nina as the only Deaf kid in her school has a gut reaction feeling to how Blue 55 must feel about being alone in the ocean. She also, through her knowledge of electronics, sees a way to send him a message.
And so she does.
The "and so she does" aspect of this novel takes a rather conventional but delightful middle grade novel into the road narrative spectrum.
Although Nina primarily works by herself, she does not travel by herself (save for a few brief instances). The bulk of her traveling she does with her grandmother which puts her as traveler in the family category (33). Her goal is to meet up with Blue 55 and play the song she has written for him to him herself. As he is a whale, his location (the ocean) counts as wildlands (99). Finally, how she gets there (again save for a brief detour) is via a ship. Going over water is offroad (66). Put all together, Song for a Whale is family journey to the wildlands by an offroad route (339966).
Throughout all of Nina's narrative, from the trouble at school, to her radio projects, to her Blue 55 song, to her journey, her voice is strong and unique. Though there are other middle grade novels with Deaf characters, they are rarely the protagonists. Nina joins Macy (Macy McMillan and the Rainbow Goddess by Shari Green) as being on a very short list of lead Deaf characters in middle grade fiction.
Yellow Brick War: 03/15/19
Yellow Brick War by Danielle Paige is the third of the Dorothy Must Die series. It opens in a dark, twisted Kansas, corrupted by the evil magic of dystopian Oz. To save Kansas and Earth, Amy has to find a way of sending Dorothy et. al. back to Oz.
This book is built on the supposition that Oz and Kansas are the same shape. Oz is vaguely rectangular with some curvy bits. It is divided into five sections with East and West flipped. For more on Oz's landscape, please read: In the upside-down: the hobo life in Oz.
But Paige describes Oz as rectangular and Kansas as well. Kansas isn't exactly rectangular either and the two shapes don't overlay.
As the action is primarily set in Kansas, the dystopian fantasy story is replaced by a paranormal high school drama, in the vein of Buffy the Vampire Slayer. But it lacks the narrative drive of the previous two and is left to stumble along on the rather weak character building.
For the road narrative spectrum, book three is a 3366FF: family, home, and cornfield. The traveler, Amy, is reunited with her mother. The location is Amy's original home. It's what she was desperate to leave but now she is back. These two pieces are low down on their axes of the spectrum, brining the novel almost to the realistic fiction. But the arrival on the outskirts of town, in the cornfields — albeit darkened and corrupted by tainted magic — puts the novel in the neighborhood of horror.
Interestingly, Dorothy Must Die is also situated in the horror. The Wicket Will Rise goes into the fantasy end of horror, before returning to gritty fiction with horror elements for this third book. The final book is The End of Oz.
FF0099: an orphan in a city labyrinth: a close reading of Neil Gaiman's Neverwhere: 03/15/19
Last week I described how the city landscape can serve as its own road narrative destination even when the story stays within its confines. Today's post will look at a similar narrative structure, but one where the trip is more transformative and at least to the protagonist, less dangerous. For this post I will be looking closely at Neverwhere by Neil Gaiman.
Neverwhere is an interesting example of the American road narrative as written by a then recent immigrant. More interestingly, in its original form — a six episode series — it was created for BBC2 but still harnesses a distinctly new world approach to tell a story set in London, for a British audience.
The protagonist is Richard Mayhew, who at the start of each episodes, introduces himself in a broken video snippet. His faux reality TV addressing of the audience grounds him in the reality of London as a modern-day city, while the distortions and alterations to his testimony highlight how this average Londoner has been transformed and consumed by a very different, magical and ancient city mapped across, through, and under the London that most people think of.
Richard begins in episode one (or chapter one if reading the novel that came later) as part of a romantic couple. He and his fiancée are heading out to dinner when he happens to notice an injured woman, one who is also apparently homeless. Jessica warns him to ignore the woman so that he won't be later to their dinner date. Richard choses not to ignore her and instead offers his help to the woman we will later come to know as Door. By doing so, he has acknowledged someone from the other London, and has therefore orphaned himself from the mundane London.
Through this self inflicted orphaning, Richard is removed from the mundane London to the point that no one knows him any longer (including Jessica). His apartment is empty. His job no longer exists. He is not only homeless, he is existence-less. But this odd not quite there status is his entry point into this other London and his means for traveling through it.
The destination for Richard is still London, just this other London. His guide throughout this is Door and the other inhabitants he meets. What makes his journey one of fantasy is the metaphorical ways in which he travels. His quest is mapped to the London Underground but in ways that only make sense through word play.
I classify his route through London as a labyrinth for two reasons. The first is the series' use of minotaur imagery. Richard and his companions take on a guide who goes by the moniker, Hunter. Her scenes are intercut with quick, violent images of bull horns and blood.
The second reason is tied to the Richard's path through London. Although he and Door and the others are tracked by Messrs. Croup and Vandemar who are supernatural, dangerous and deadly, as evidenced by Door's injuries and her dead family, Richard is never really threatened by them. In fact, they seem baffled by him. Richard's continuing status as an outsider, a former mundane Londoner lessens the dangers and removes many of the well established traps in this alternate London. What is a maze for Door is a labyrinth for Richard.
Disney Manga: Magical Dance Volume 1: 03/14/19
Sometimes a cover just demands my attention. Disney Manga: Magical Dance Volume 1 by Nao Kodaka is one of those books. Lilo & Stitch is one of my favorite films. So seeing a manga with Stitch on the cover made me curious enough to try the first volume.
Rin wants to join a dance competition but she's not as coordinated as the others on the team. Discouraged and ready to quit, she's befriended by Tinkerbell. With the pixie's help, she able to summon various Disney characters to help her learn a new dance step or to give her the motivation to keep going.
She dances with Mickey, Stitch, Chip & Dale, Lilo & Stitch, and, Cinderella. There are currently two volumes.
Buried in Books: 03/13/19
Buried in Books by Kate Carlisle is the twelfth in the Bibliophile mystery series. It's seta few years back when ALA had their midwinter conference at Moscone here in San Francisco. Except for this book, it's a fictional version with a slightly different name.
On the work front, Brooklyn has been invited to give a bookbinding workshop and to lead a tour of local famous book locations. The conference has reunited her with her two grad school BFFs, Heather and Sara. Except they still hate each other after Sara stole Heather's boyfriend and married him!
On the homefront, Brooklyn and Derek are getting married. It's also Brooklyn's birthday. During an unwanted surprise party, Heather and Sara each give her a book. Heather's is a well=loved copy of the Blue Fair Book. Sara's appears to be an outrageously rare book.
Through out all the brief encounters with Brooklyn, Heather and Sara there is animosity. Heather repeatedly says she wants to kill Sara. So it's no surprise when Sara ends up dead in the basement of the convention center.
Here's the thing, for Buried in Books to work, the basement of the convention center has to be dark and empty, save for things in storage, during the Not-ALA convention. That's not how convention centers work — certainly not Moscone. The basements are where the exhibitors work. I'm not talking people who have rented booths on the floor; I mean the hosts. It's where the tech support is, running their wifi hotspots, their wired internet connections. It's where pages run stuff between booths because there are hallways down there that aren't crowded with attendees. It's where the press works on their photographs.
It isn't a big, dark, oversized basement. It's not somewhere a person could be sent to work alone. And if there is a forklift involved, there is no way in Hell the convention center would left some random librarian operate it for obvious safety and liability issues.
So assuming that Brooklyn lives in an alternate reality San Francisco where OSHA doesn't exist and librarians can drive forklifts without being certified first. The mechanics of the mystery are lacking. This book is more like an AGA saga with a murder thrown in. The murder mystery from the title onwards is literal and on rails.
There are no red herrings. There is no play on words. Brooklyn isn't in the same sort of danger as previous books. It's not a very exciting mystery.
Read this one if you want to see Brooklyn get married. If you're just in this series for the whodunit, it's okay to skip this volume.
The next volume is The Book Supremacy which comes out June 4th.
Border Markers: 03/12/19
Border Markers by Jenny Ferguson is a slim volume about the dark side of life on the Canadian prairie. The book is 101 pages told through 35 separate flash fiction pieces.
Don't let the small number of pages lull you into a sense that this will be a quick read. For me, it wasn't. I read it in twenty page bursts which comes to about nine stories at a go.
Even with going slow, I came to realize the flash fiction wasn't working for me. I'd get invested in a character and then bam, I'd be somewhere else with a new character. Or there would be the same characters but we would be in different person's head.
The Weight of Our Sky: 03/11/19
The Weight of Our Sky by Hanna Alkaf begins with an author's note with a list of trigger warnings and a brief description of the historical context. Read it first. She warns of "graphic violence, death, racism, OCD, and anxiety triggers." And all those things are there. Much of it is real — in that it is experienced first hand by the protagonist, and some of it isn't. That which isn't is the product of her OCD and anxiety, which she has personified as a djinn.
Melati Ahmad's story begins in the week of May 13, 1969, when race riots between the Chinese and Malay erupted in Kuala Lumpur. People were killed. Buildings were looted and burned.
Melati finds herself in the middle of things when she and her friend go to see a movie. She ends up on her own, and then in the care of a woman who choses to lie to save her life.
Now imagine knowing that your friend is dead and expecting the same of your mother while already living with OCD and anxiety. That is what Melati faces. And yet, somehow she keeps her wits about her and holds onto her humanity despite the terrible things happening around her.
One of things that keeps Melati going is her love of the Beatles. She references songs throughout her ordeal — mostly from the Sgt. Pepper's Lonely Hearts Club Band album (1967).
It is a nail bitter of a YA novel. Even with the author's note, I would even recommend it for the older end of the middle grade set. And despite the violence and the trauma, it has a happy ending.
It's Monday! What Are You Reading? (March 11): 03/11/19
It was another week of rain which meant staying inside when not running errands. With the weather I had plenty of time to work on my Climate Change series of gouache and acrylic paintings.
On Friday I had a solid day of teaching at the Sun Gallery. That means two different field trips from local schools. Each visit is two hours of solid teaching but there is also prep time and clean up. I have a similarly busy Friday scheduled for this week.
Today we briefly had sun and then it started hailing.
Readingwise, it was a good week. Some of these books were research for the summer camp I'll be teaching. I'm doing a week of birds and dinosaurs. Tentatively I'm calling it "Birds of a feather, dinosaurs together." I also finished two newly published books and a bunch of backlist stuff I've been meaning to read.
What I read:
What I'm reading:
Posts and reviews:
The Neighbors Are Watching: 03/10/19
The Neighbors Are Watching by Debra Ginsberg is a mystery disguised as literature set against the fires that raged through eastern San Diego county. Diana Jones, a pregnant teen shows up on the doorstep of her father's. Until now he hadn't know about her and his wife isn't eager to bring her in.
Every chapter is told from a different point of view. Every chapter is filled with anger and angst to the point of melodrama. Every single character has some deep secret that has left them perpetually seething.
Despite all of this window dressing, the book is basically a mystery. As it's written as literary fiction there aren't any of the usual red herrings. So for anyone who reads mysteries, there's nothing mysterious here. It's all window dressing. The situations are blown out of proportion for the sake of drama. It's all very tedious.
On the Come Up: 03/09/19
On the Come Up by Angie Thomas draws from her experience as a teen rapper. Bri wants nothing more than to follow in her father's footsteps and be a rapper. Her mother would prefer she go to college like her brother. Her home life, though, is rocky and there's no guarantee that if she got into college she would be able to afford it.
In the Ring — the local rap battle event — Bri's main competitor is a boy whose stage name is Milez. She knows she has what it takes to beat him but it isn't until she's unfairly searched and tossed to the floor and then suspended for resisting at school that she truly finds her voice.
"On the Come Up" is the name of the rap Bri writes in an emotional response to being suspended. The entirety of the piece is included in the book and frankly, someone needs to perform it. Ideally, this book will also get optioned for a film and when produced, the titular rap would be included.
A question I've gotten from many interested readers is how does On the Come Up compare to The Hate U Give? Both are raw, emotional reads. Both feature believable, memorable leads. Both feature raw emotion but Starr and Bri are not the same person. They, though, are clearly products of the same environment but their outlets are different. Starr is an activist and her main platform is Tumblr — but later as the lead in the riot. Bri's outlet is rap. Both books are equally good, just different, as they should be.
Sweet Legacy: 03/08/19
Sweet Legacy by Tera Lynn Childs is the conclusion of the Medusa Girls trilogy. The recently reunited triplets are traveling into the underworld to rescue aunts jailed under Mt. Olympus. In their party is adopted sibling Thane who appears to be a traitor. Can anyone be trusted?
After the build up at the conclusion of Sweet Shadows, I expected the final volume to primarily be in Tartarus or a grand tour of the Greek mythos. It wasn't. Instead, the sisters harnessed their sibling magic (CC) effectively.
As the trip to utopia was but a brief rest stop in this novel, I'm not counting it as the destination in terms of the novel's placement in the road narrative spectrum. Instead, their collective goal is a return to normalcy, aka home (66).
The route, though, that they take, through the underworld is very similar in path (as well as its Bay Area origin) to the route Dorothy, Zeb, Jim, and the Wizard take to Oz, in Dorothy and the Wizard in Oz, after falling into the earth via an aftershock of the 1906 quake. The difference, though, is that they don't have Ozma watching at the other end to bail them out. That means their journey is potentially dangerous and full of unknowns. The addition of danger turns the labyrinth into the maze (CC).
FF00CC: orphans in the maze of the city: 03/08/19
The next way to or through the city for the orphan traveler is through the maze. Or for city based road narratives, the maze can be a metaphor for the complexity of the city.
The lone traveler in Hidick's book isn't the knight; it's the boy who summons him. The boy lives in New York. He's at the park unsupervised (thus making him a lone traveler, albeit on a small scale). When the knight wants to kill the dragon who has taken up residence in the subway tunnels, the boy choses to go instead, not to kill the dragon, but to help it.
In Sweep, the lone traveler is Nan Sparrow. She is a literal orphan who has escaped from the man who runs the chimney sweep business and keeps children in unsafe conditions both at "home" and at work. Now all the other sweeps are also literal orphans, so Nan can't harness her "orphan magic" until she's alone. In Nan's case, that means nearly dying, alone in a flue. Her near (or actual death depending on how you read that scene) is the moment that her magic is activated, in the form of Charlie, a soot golem.
The destination for both of these narratives is the city. Rather, the action for these books is all within the confines of the city. There is very little in the means of travel, except in and around the city. The boy, goes from Central Park to under Manhattan to one of the city's abandoned subway tunnels. Nan, meanwhile, goes through London via chimneys, and rooftops, until finding a home in an abandoned mansion that has more chimneys than is practical.
In road narrative studies that focus only on the eight percent, the road narrative has to have an actual road trip, typically going from New York to somewhere in California, or sometimes, from a city to a rural area.
If these were the only types of road narratives, then this category, and these two examples, wouldn't qualify. I hope by now, I've shown how the traveler, the destination, and the road are prominent features of many North American narratives, even those that aren't literal road trip stories.
Finally there is the route taken. As both of these examples are contained within the cities they start in, the route traveled is somewhat metaphorical. For the boy, the journey to find the dragon is one of twists, turns, and potential danger both from the city itself, as well as the dragon. For Nan, the danger lies in her work as a chimney sweep, as well as from the man she has escaped. Both journeys, both paths through the city are ones punctuated with the threat of death. In Nan's case, literal death, although she was brought back through the magic her predicament released.
Ghostbusters: Crossing Over: 03/07/19
Ghostbusters: Crossing Over by Erik Burnham and Dan Schoening is the largest omnibus of Ghostbusters comics so far. This one collects eight issues and the Ghostbuster's annual.
Holtzmann is still hanging with the original Ghostbusters, but has taken on a project with Ron. Meanwhile, Ray has a warning about using the dimensional door while the containment field is being accessed. Ron and Holtzmann, being out doing their own thing, don't get the warning and end up triggering a cascading event where multiple dimensional rifts open up and the contained ghosts escape.
When there is more work to do than the current staff on hand can handle, what do you do? You call all the Ghostbusters. Well, most of them. I guess the TNMT don't count, although they were mentioned.
The remainder of the story is spread across different dimensions with different teams trying to wrangle their ghosts. All the while there is a larger, bigger bad waiting to pounce.
It's a fun read but should be read after reading through previous collections. If you only want to read one other, read Ghostbusters 101: Everyone Answers the Call (2018).
My one complaint is that it was a little long, which is also its selling point. It just could have been a little tighter.
Which Big Giver Stole the Chopped Liver?: 03/06/19
Which Big Giver Stole the Chopped Liver? by Sharon Kahn is the fifth book in the Ruby, the Rabbi's Wife mystery series. Essie Sue has put together a reunion in nearby Austin to hopefully encourage previous congregation members to donate to the temple. The opening reception is set to include a large chopped liver made into the shape of Texas. Instead of the liver, there's a dead body!
Primarily this mystery is set at the hotel hosting the convention Essie Sue has put together. There are quite a few scenes though of Ruby ferrying between Austin and home, grousing all the way. That seems to be the continuing weakness with this series, namely the pages wasted on travel scenes.
If she hates Essie Sue so much, why does she continue to agree to do things for her? I think we're supposed to believe that she has a continuing loyalty to her dead husband, the previous rabbi. Clearly though, he's been dead long enough for the temple to move on. Kevin might be too modern and too awkward for Ruby's tastes but the temple is adjusting and changing with the times. It's time for Ruby to move on to a congregation that fits her personality.
The mystery itself was pretty easy to figure out. The murderer doesn't go as far as announce that they did it but they might as well have. There is literally no one else in this book with motivation that comes close.
Finally, the novel feels dated even for the time it was published. For instance, a major clue is a "secure digital card." Come on, even in 2004, everyone was calling them SD Cards.
The last book in the series is Out of the Frying Pan, Into the Choir (2006)
Old City Hall: 03/05/19
Old City Hall by Robert Rotenberg is the first of the Detective Greene mystery series set in modern day Toronto. I've started the series because he wrote one of my favorite episodes of Murdoch Mysteries, "Murdoch Schmurdoch."
The book opens with an Indian delivering the morning papers to 12B. He's a couple minutes early, which bothers him. The door is ajar and when he finally gets the attention of the man living there, the man admits to killing his wife.
The narrative is set up in a style similar to the Law and Order shows, in that there are the detectives investigating and then there is the trial. That's fine but the book jumps between numerous points of view even though at most there should be two main characters — the detective and the defense, should the initially accused be innocent.
I have to admit that I ended up skipping most of the POVs that weren't from either of these points of view. There's really to the other scenes that are crucial for understanding the flow of the plot or the unfolding of the investigation or trial.
There's also annoying subplot, that thankfully doesn't go anywhere, involving the accused son. He happens to autistic and Greene speculates that he committed the murder while having a violent meltdown. Just no. Thankfully he didn't end up doing it. Had it been the murderer, this review would be a lot longer and angrier.
The second book in the series is The Guilty Plea (2011).
Al Capone Throws Me a Curve: 03/04/19
Al Capone Throws Me a Curve by Gennifer Choldenko is what feels like the conclusion of the Al Capone at Alcatraz series. Moose wants to play baseball on the high school team in San Francisco but to do that he needs to make time to ride the ferry from Alcatraz where he lives because his father is a guard.
But things are complicated for him further because he has to watch his autistic older sister and the warden's danger loving daughter, Piper. Putting Piper and Natalie together away from parental supervision is sure to bring trouble.
These books all follow the same sort of recipe. First there's stuff about life on the island. Then there are San Franciscans not believing Moose (in all fairness, many from the City can't imagine life outside of the City). Then there is some contrived interaction between Moose, his friends, and the inmates (preferably Al Capone). Finally there is some crisis involving Natalie and an awkward reminder of her age vs her abilities.
The problem is that nothing changes. Moose's parents remain as stuck in their preconceived notions of how their family works and complete denial that it's not in fact working. Moose who continues to not know how to say no to people. There's Natalie who more and more reads like a caricature of an autistic person.
The short version is that the first book was both fun and fascinating. The last book isn't but might have been if it had been the only one I had read.
It's Monday! What Are You Reading? (March 04): 03/04/19
I finished the Davis painting. I'm not entirely satisfied with it but it's as good as I can do now.
I also started the first of the climate change paintings. It's my first time using gouache but I felt it was the best medium for the series.
Last week I read seven books, but the three last ones were really short and I read them over the weekend. On the Come Up by Angie Thomas is as good as The Hate U Give. I will be reviewing it on Saturday.
What I read:
What I'm reading:
Posts and reviews:
Road Narrative Update for February 2019: 03/03/19
I'm trying something different this week. Rather than split up all the books read and reviewed and the essays written, I'm posting them as one master list. I'm also including their placement on the road narrative spectrum so you can see what sort of coverage I had.
My reading was down for February with only five books read. As four of those were published in 2019, I ended up reviewing them shortly after reading them. I reviewed ten books. I also wrote four descriptive essays and one more general one about the research process.
I am still primarily focusing on reading newly published books and my unread purchases from 2018. I have plenty of finished books that still need analyzing/reviewing so Fridays will still be featuring a road narrative book.
Chicks Dig Time Lords: 03/03/19
Chicks Dig Time Lords edited by Lynne M. Thomas was published at the height of the excitement over the re-launched Doctor Who franchise. After about a two decade hiatus (minus the Fox made for TV movie) the Doctor was back but in a different format — hour long episodes and modern day CGI.
Around the same time, the current wave of backlash against women in fandom was starting to hot up — though Gamergate was still to come (by far the low point in all this nonsense). So a book about Doctor Who about women fans written by women sounded fascinating.
I suppose to its credit, it does manage to show that women fans are really and truly no different than men (discounting the toxic fringe who make it bad for everyone). The typical essay in here comes down to who was my first Doctor and what keeps me coming back for more. There were also numerous essays on the conventions — something that I'm not at all interested in — but I do have friends who attend regularly (including one who dresses as the TARDIS every year).
The film analyst in me wanted more meat and bones to this book. I wanted more look at motifs and feminist readings of the 50+ years of this series. Save for a couple essays buried in the book, it's not there. This is really more of a light-hearted zine given a larger print run.
February 2019 Sources: 03/02/19
February my two main goals for reading was working through my 2019 purchases, at least one a week, and reading through the remainders of my 2018 purchases. After that my goal was research and finally, library books.
Despite there being five 2019 published books, all but one were from January, thus keeping my ROOB score good.
February 2019 was my lowest (meaning best) of all the Februarys where I've tracked my reading against this metric.
My average for February dropped from -2.35 to -2.45
Here and Now and Then: 03/02/19
Here and Now and Then by Mike Chen is a time travel story set in 2014 and 2142 San Francisco. Quinoa "Kin" Stewart is a programmer in San Francisco. He's suffering from blackouts and debilitating headaches. He knows its from time travel; his wife and daughter think it's PTSD. All that changes when his best friend and handler from 2142 finds him and orders him home.
Time travel here works with the premise that the body can't handle different times. Memory loss or time induced amnesia as well as the headaches and heart damage are part and parcel of time travel. There are drugs and implants to help ease the process. Kin has taken out his implant and his long spate of time in the past has made travel more dangerous for him.
Travelers are supposed to lay low and avoid interacting with the past as much as possible. Kin has broken those protocols in the most extreme way imagined by marrying and fathering a child. The bulk of Here and Now and Then is the aftermath of having a family in the past and then leaving them there.
Looking at the cover art one can see visual similarities with Paradox Bound by Peter Clines (2017). Both sport a lemniscate road. Paradox Bound's cover has a car which obfuscates the romantic couple, while Here and Now and Then sports a man running on the top, and a woman at the bottom along side the San Francisco skyline, which implies a romantic couple, when in fact the woman is his daughter left behind in 2014.
As this novel is entirely from Kin's point of view, the narrative falls lower on the spectrum than Paradox Bound. Both are in the horror part of the spectrum but Chen's novel is more so than Clines's because it focuses so heavily on Kin's horror at what happens to Miranda, his daughter, after he leaves.
Kin as a time traveler, a rather elite and semi-secret position puts him at the bottom of the spectrum for traveler types: privileged (00). The destination coming and going is a change in time, or uhoria (CC) to a real, mappable location (San Francisco). The route is one that starts and finishes through an offroad path (hiking up Mount Tam or similar nearby hiking trail) (66). All together it's 00CC66 compared to Paradox Bound's 33CC33 (Couple uhoria blue highway).
Had this novel instead been from Miranda's point of view, it would have set much higher in the spectrum. Miranda as an orphan (due to her father leaving and her mother dying) would have access to orphan magic. Even though the world is set up so that people in the past can't have access to the technology, she would have managed to either reverse engineer the process from following her father's tracks to one of the tethered travel spots, or she would have ended up inventing the technology (paradoxes be damned). If that were the case, Miranda's story would be an FFCC66.
That said, Here and Now and Then was still a fun read. It's just a very male centered, man as maverick and hero type of novel. Miranda's story would have been more interesting.
February 2019 Summary: 03/01/19
February was also busy with art. I finished the sketchbook and mailed it back in the last week of the month. Now my art time is divided between two projects: a series of gouache pieces inspired by last year's fires, and planning bird and dinosaur crafts for summer camp.
When I am reading, I'm reading either newly purchased books, last year's remainders, or library books for the summer camp.
I read 25 books in February, down from January's 27. I surpassed my 51% goal for diverse reading, with 72% of all the books I read qualifying. The majority of the books I read were from my own collection with the other half being divided between research and library books. My reviews were equally successful, coming in with 57% of them featuring diverse characters and/or authors.
With two months of 2019 complete, I still have 13 reviews from 2016 reviews to post. That's down from last month's 15. My 2017 reviews though are at similarly small numbers as the remaining 2016, coming in at 16. I have 63 reviews remaining from 2018 and 36 now from 2019.
Lost in the Labyrinth: 03/01/19
Lost in the Labyrinth by Patrice Kindl is a retelling of the story of the Labyrinth of Minos from Princess Xenodice's point of view. It begins with the death of Ariadne after having helped Theseus survive the Labyrinth.
All of this is recounted by her younger sister who in modern day reckoning would a tween or middle schooler. Her testimony is written in a stilted, melodramatic language that I think is supposed to sound both regal and tragic. It fails utterly at both.
I suppose the idea was to have the freedom to rework the story however one wanted by picking a minor daughter of King Minos. She is literally known just for being the sister of Ariadne and a half sister of Asterion (the Minotaur).
For a better, more character driven retelling, please see Bull by David Elliott (2017).
Removing the minotaur as the main focus, moves the story down midway between horror and realistic fiction. It's a failed attempt to be literary. By moving away from someone who has the most to lose (freedom in the case of Asterion) or one's life (in the case of Theseus or Ariadne) to a privileged secondhand narrator, there is no drama. It might as well be a fictionalized "what I did on my summer vacation" type report read by a girl who has bored herself by writing it.