Now 2020 Previous Articles Road Essays Road Reviews Author Black Authors Title Source Age Genre Series Format Inclusivity LGBTA Portfolio Artwork WIP

Recent posts


Month in review

Reviews
America for Beginners by Leah Franqui
Booked for Death by Victoria Gilbert
Careless Whiskers by Miranda James
Catstronauts: Digital Disaster by Drew Brockington
Cinderella is Dead by Kalynn Bayron
The Cooking Gene by Michael W. Twitty
Dehaunting by J.A. White
Family Tree, Volume 1: Sapling by Jeff Lemire and Phil Hester
For Whom the Book Tolls by Laura Gail Black and Janina Edwards (narrator)
The Forest of Stars by Heather Kassner
Gargantis by Thomas Taylor
Kerry and the Knight of the Forest by Andi Watson
Last Call at the Nightshade Lounge by Paul Krueger and Emily Woo Zeller
Malamander by Thomas Taylor
A Man and His Cat, Volume 1 by Umi Sakurai
Mexican Gothic by Silvia Moreno-Garcia
Minor Mage by T. Kingfisher
The Next Thing on My List by Jill Smolinski
Paola Santiago and the River of Tears by Tehlor Kay Mejia
Parachutes by Kelly Yang
Restaurant to Another World Volume 1 by Junpei Inuzuka and Katsumi Enami
River of Dreams by Jan Nash
Sandhill Cranes by Lynn M. Stone
School-Tripped by Jennifer L. Holm and Matthew Holm
Shot in the Dark by Cleo Coyle
Some Enchanted Éclair by Bailey Cates and Amy Rubinate
Still Life by Louise Penny
Tempest in a Teapot by Amanda Cooper
Time for Bed, Fred! by Yasmeen Ismail
Valley of the Lost by Vicki Delany

Miscellaneous
August 2020 Sources

August 2020 Summary

Previous month


Rating System

5 stars: Completely enjoyable or compelling
4 stars: Good but flawed
3 stars: Average
2 stars: OK
1 star: Did not finish

Reading Challenges

Canadian Book Challenge: 2020-2021

Beat the Backlist 2020



Privacy policy

This blog does not collect personal data. It doesn't set cookies. Email addresses are used to respond to comments or "contact us" messages and then deleted.


Cinderella is Dead: 09/21/20

Cinderella is Dead

Cinderella is Dead by Kalynn Bayron is a retelling of Cinderella. It reads like a blend of Ash by Malinda Lo (2009) and You Should See Me in a Crown by Leah Johnson (2020).

Kalynn Bayron imagines a kingdom that has built its entire culture and laws around the ball where Cinderella won the heart of Prince Charming. But it's an oppressive one, fixated on a strict gender binary. The king is all powerful and everyone else, save for a few elite families, can't leave.

It's been two hundred years under this system and sixteen year old Sophia wants something different. She's in love with Erin. The man who has offered her a way out, is gay. When he is taken away in the middle of the annual ball by palace guards, Sophia knows she has to save herself.

Tucked into this retelling is a critical examination of gender politics, toxic masculinity, racism, among others. That said, Sophia's skin color isn't used as a teachable moment. Sophia is a fully realized character with a family, a history, likes and dislikes.

Sophia goes off script and in the process meets a young woman who has the skills to help bring down the king and end the ball for good. Her journey to becoming the hero her kingdom needs. This journey is on the road narrative spectrum.

Sophia and Constance travel together to find the information to save their city. It's clear early on that there is a sexual tension, attraction between the two. They are traveling as a couple (33).

The destination is the White Woods. It's a place specifically off limits. It's a place that features heavily in the Cinderella story. In terms of the road narrative spectrum, this destination is the wildlands (99).

Their route is offroad (66). There is a path but it is heavily guarded and patrolled. As they have rejected society and will be imprisoned and killed. They can't take the road.

All together Cinderella is Dead can be summarized as a couple traveling to the wildlands via an offroad route to save the kingdom (339966).

Five stars

Comments (0)


Lab puppy
Name:
Email (won't be posted):
Blog URL:
Comment:

Twitter Tumblr Flickr Facebook Facebook Contact me

1997-2020 Sarah Sammis