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Ascender, Volume 3: The Digital Mage by Jeff Lemire and Dustin Nguyen Audubon Cat by Mary Calhoun and Susan Bonners
The Canyon's Edge by Dusti Bowling
Concrete Rose by Angie Thomas
A Curious Incident by Vicki Delany
Delicious in Dungeon, Volume 7 by Ryoko Kui
Delivery to the Lost City by P.G. Bell Hatch by Kenneth Oppel and Sophie Amoss (Narrator)
The Library of Lost and Found by Phaedra Patrick
Made You Look by Diane Roberts
Moriarty the Patriot, Volume 1 by Ryƍsuke Takeuchi and Hikaru Miyoshi
Muffin But Murder by Victoria Hamilton
Muted by Tami Charles
The Mystery of the Haunted Cottage by Derek Landy
The Nickel Boys by Colson Whitehead
The 117-Storey Treehouse by Andy Griffiths and Terry Denton
One Poison Pie by Lynn Cahoon
Santa's Husband by Daniel Kibblesmith and A.P. Quach
The Scarecrow of Oz by L. Frank Baum
Speculative Los Angeles edited by Denise Hamilton
Spells and Scones by Bailey Cates and Amy Rubinate (Narrator)
Sprinkle with Murder by Jenn McKinlay
Stuck on Murder by Lucy Lawrence
Sunny Rolls the Dice by Jennifer L. Holm and Matthew Holm
Thirteen Doorways, Wolves Behind Them All by Laura Ruby
This Spell Can't Last by Isabel Sterling
We Could Be Heroes by Mike Chen
White Nights by Ann Cleeves

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Thirteen Doorways, Wolves Behind Them All: 02/14/21

Thirteen Doorways, Wolves Behind Them All

Thirteen Doorways, Wolves Behind Them All by Laura Ruby is historical fiction set in a Chicago orphanage during WWII. Frankie and her sister Toni were left at the orphanage when their parents could no longer care for them. Frankie has plans to escape and to take her sister with her. Their plight and plans are narrated by the ghost of a dead woman.

The ghost intersperses the story of Frankie and Toni with memories from her own life. But I had the same problem with her lengthy asides as I did with Death as the narrator of The Book Thief (2005). Basically, I found her narrative to be a distraction.

I normally tear through Laura Ruby's books. This one, though, didn't work for me. It's two parallel tales of young women being abused and abandoned by people they should be able to trust. The choice to have one of them narrate both as a ghost in an otherwise realistic historical fiction was jarring.

Three stars

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