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Back to School Murder by Leslie Meier and Karen White (Narrator)
Being Friends with Dragons by Katherine Locke and Diane Ewen (Illustrations)
Cherish Farrah by Bethany C. Morrow
Clash by Kayla Miller
Crosshairs by Catherine Hernandez
Dead Man's Bones by Susan Wittig Albert
An Eggnog to Die for by Amy Pershing
Else-Marie and Her Seven Little Daddies by Pija Lindenbaum and Gabrielle Charbonnet (translator)
The Ghost and the Bogus Bestseller by Cleo Coyle and Caroline Shaffer (Narrator)
A History of the World in 6 Glasses by Tom Standage
Invisible Kingdom, Volume 3: In Other Worlds by G. Willow Wilson
Keep Your Hands Off Eizouken!, Volume 2 by Sumito Oowara
Komi Can't Communicate, Volume 1 by Tomohito Oda
Lore Olympus: Volume One by Rachel Smythe
Merman in My Tub, Volume 3 by Itokichi
The Mystery of Albert E. Finch by Callie Hutton and Nano Nagle (Narrator)
Oh My Gods! The Forgotten Maze by Stephanie Cooke, Insha Fitzpatrick, and Juliana Moon (Illustrations)
Phantoms by J.A. White
Required Reading for the Disenfranchised Freshman by Kristen R. Lee
The Princess in Black and the Mermaid Princess by Shannon Hale, Dean Hale, and LeUyen Pham (Illustrations)
Savvy Sheldon Feels Good as Hell by Taj McCoy
She's Fleeing a Byronic Hero by Lady Alana Smithee
The Tea Dragon Tapestry by Kay O'Neill
You Truly Assumed by Laila Sabreen

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Crosshairs: 04/25/22

Crosshairs

Crosshairs by Catherine Hernandez is a near future dystopian novel set in Ontario, Canada. The events are narrated by Queen Kay, a drag queen who has been in hiding, separated from a lover named Evan.

Told in alternating timelines from the present to the various events in Kay's life, it's up to the reader to piece together everything into the bigger picture. A business man promising to fix Toronto's economy and solve the problems of homelessness and unemployment ends up turning the city and then the province into a police state.

Anyone who isn't white and straight is labeled an Other. They are systematically targeted, rounded up, and forced into his "work program" which to anyone not immediately benefiting from these moves will readily admit they're modern day concentration camps. The fact that the term "Other" is the one chosen, though, shows the author's experience as a screenwriter. It's a term that comes up in film theory, used exactly as it is Crosshairs.

Like so many of these dystopian stories, the focus is extremely narrow. While the program is described as being spread out to other provinces, there isn't much else in the way of a birds' eye view. The United States is mentioned briefly when the president dies, but that's it for the rest of the world.

Crosshairs, though is written as a very personal account, a surviver's tale. It's short, focused, and emotionally brutal.

Five stars

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